서량의 詩, 글, 음악/김정기의 글동네/NY, NJ, USA

Right Arm --- To the “Woman Seated” in Henri Matisse's painting (1936) Light lines or intense lines both have a certain inner story, whether thick or thin Side hair covering her ears is amidst matching with her gazeThe right side is entirely in charge of the muscle strength of the upper arm  Transparently, your eyes, nose, and mouth are crumbling! Note on Muse: Whispering softly or with a clear ..

Pillars of Lights -- To the "Young Girl with Pink Dress" painted by Matisse (1942) Lights A few bundles of lights Graduation marks resisting against the green pillars Color black The force of thin graduation marks With no eyes nose or mouth Color pink woman’s force The chair fluttering buoyant up in the air The force of massive armchair Note on the Muse: One day in 1942, Matisse's woman with no ..

Arterial Blood -- To the woman in “The Fur Coat” painted by Matisse (1936) Covering the woman’s body, aren’t the scarlet clouds? The clouds are pulling in the geothermal heat Blocking, blocking the airway Chunky the stuffy knees are A gentle wish twining up around the chair Chunky the right hand laid on top of left hand is You hear the murky sound of breathing, don’t you? Note on the Muse: When ..

A Certain Face -- To the woman in “Face on a Yellow Background” painted by Matisse (1952) As if forgotten yet unforgotten stylish eyes Redish color in motion Your contour is a stroke of brush Thick stroke Nimble stroke of brush Long long-lasting clear-cut vestige Note on the Muse: I agonize over if this face is a man or a woman Eyes and lips of a women, Matisse's later work © Ryang Suh, MD 2024...

Gaenari Nari -- To the woman in “The Blue Jabot” painted by Matisse (1935) Sky-blue color Light color The jabot creases are fluttering The woman’s hair Hair Her brown hair Gaenari nari, nari, nari Coming to the fore before the boundless wall The look in the eyes Her eyes Nonverbal eyes Note on the Muse: This woman painted by Matisse shows indifferent countenance Because the jabot creases present..

Splendid Background -- To the Woman in "Decorative Figure on an Ornamental Background" painted by Matisse (1925) A clear-cut rectangle Woman's body is a frame, frame on the wall Jade-blue, sky-blue background is assisting The listless arms and legs, arms and legs Including the thigh muscles suppressing the carpet Note on the Muse: Learning the softness while appreciating Matisse's paintings The ..

Primary Colors -- To a Woman Named "Zulma" painted by Matisse (1950) Woman covering her whole body in blue The pink, pink desktop that she is leaning against Three or four primary colors escape from the canvas ferociously, ferociously Flesh color, chicken color fills the green, green wall tightly with anticipation, anticipation Note on the Muse: This Matisse painting is pretty strangely soft The..

The Unconscious -- To the woman in “Dancer in Repose” painted by Matisse (1940) The wall covered by the leaves Before the charcoal canvas A red-haired woman's face is only utterly dashing By the black bottom trying to follow geometric principles The isosceles triangular legs are very fair-and-square, ain’t they? Note on the Muse: Looking at the woman's face in Matisse's painting, although rare, ..

Around the Lips -- To the Woman in Matisse's "Violet Bolero" (1937) Eyes fully filled with pupils Black pupils Pale shade leanly shimmering neck Woman’s neck White skirt thickly shirred Left hand on top of right hand softly Red lipstick egging on purple bolero too Note on the Muse: The woman in this Matisse painting looks like a bull in her eyes. The blouse looks like a bolero vest worn by a bul..

Goldfish with Big Eyes -- To the woman in “Naked with Goldfish” painted by Matisse (1922) Bright The bodies of goldfish and woman Distinctive Scarlet color and the color of flesh Only one of the three goldfish has really big eyes The goldfish’s eyes slightly protuberant The woman's eyes inspecting them well Amid the top of a small round table Where the red fruits are placed on in solitude Muse o..